Nora’s Relationship with Torvald Essay -- A Dolls House Relationships

Noras Relationship with TorvaldThe drastic change in Noras birth with Torvald that occursduring the course of the present is made quite evident by what she saysand the demeanor she delivers her speech. At the beginning of the play Noraseems completely laughing(prenominal) with her doll- analogous family with Torvald.She responds affectionately to Torvalds teasing and plays along withhim if you only knew what expenses we frisks and squirrels have,Torvald. She is quite happy to be Torvalds lower-ranking featherbrain.However, as the play continues, Nora soak ups to realise that her coupling has been a performance and that she needs her own freedom.She becomes more rebellious, starts to use the imperious with Torvaldand somewhat abandons her childlike language. As the play reaches its curiosity, Nora becomes totally independent from Torvald and dialogue to himfrom equal to equal, not daughter to father.At the beginning of the play, Noras relationship with Torvald seemsthat of a child with her father. She is patronised, called a littlesquirrel, a skylark and charge of being a spendthrift becauseshe cant save cash although she seems quite happy to be called so asshe doesnt complain about it and even plays along - when Torvald saysscampering about like a little squirrel? she just answers yesinstead of complaining about being treated like a little girl. WhenTorvald asks her what do they call little birds who are constantly makingmoney fly? she answers yes, I know, spendthrifts as if she had beentaught that lesson many clock because she is so childish that shekeeps on making the same mistake. She never contradicts her married man very well, Torvald, if you say so asks for his approval like a... ...and that its nogood your forbidding me anything any interminable because she has freedherself. By the end of the play Nora has her own voice, not Torvalds,she is no longer his doll that will do whatever he asks to please him,no longer his little skylark and not the wife for you.Over the course of the play, the alteration in Noras relationshipwith Torvald is made evident by the change in the way she speaks. Atthe beginning, she is his little squirrel, a childish featherbrainthat is pampered and patronised by Torvald. The non-homogeneous turning pointsin the action, where Nora starts to change the way she speaks, usingthe imperative and contradicting Torvald start to show the change inthe relationship that is completed by the end of the play, when Noratalks clearly to Torvald from equal to equal, having a voice of herown, no longer his doll.