'Jazz Concert Reflection Essay\r'

' spang is a melodic comedy style that began in African American communities in the southern United States around the beginning of the 20th century. It was a new style of harmony that brought in concert music traditions from West Africa and Europe. some of its West African musical comedy influences give jazz its unique labored. distinguish has many antithetical elements, which are improvisations, swinging, using stern courses, and combining different rhythms. I attended The hooter and Helen Murray Jazz Residency Program featured Ellery Eskelin on the Saxophone with Susan Acorn on the pedal vane guitar and Michael Formanek on the acoustic bass and The Towson University Jazz Faculty tout ensemble Featuring Dave Balloy on the trumpet, flugelhorn, and piccolo trumpet, Jim Mc falls on the trombone and baritone, Tim spud on the piano, Jeff Reed on the bass and die but not least, Frank Russo on the drums and cymbals.\r\nAt each concert about four painss were performed. The m usical elements in both works that classify the music I hear as jazz were the swing rhythms and improvisations. The Jazz Residency Program was based on improvisations. each player at this concert; had the ability to now compose, revise and perform their parts amazingly. As Ellery vie the Sax, Susan and Michael vie their instrument spontaneously creating fresh melodies.\r\nAt the Jazz Faculty ensemble, the musicians played songs that were previously written. Their musical styles were intimatelyly whop and swing with lots of expect and respond. Jim Mc falls would play his trombone and all grouping members would follow after him. The song â€Å"Moodly” levelheadeded like bebop, because in that respect were a lot of bass drum bombs and refreshful clashes. â€Å"Marsch der freien Sound Fur Funf Instrumente” was also a bebop song that was played with extended harmonies and tonal clashes.\r\nSome of the non-traditional jazz elements that I heard were played at both of the Jazz Concerts. Susan Acorn played the pedal steel guitar, which I found to be a non-traditional element. The sound was completely different from what I had ever heard before. At the Jazz Faculty tout ensemble, Dave Ballou played the Piccolo trump card for the last piece â€Å"Conversion”. The high-pitched sound made the song slur and blend with nuts melodies.\r\nListening to each concert, gave me twain totally different experiences. The Jazz Residency concert was all improvisations, so it didn’t remind me of any of the music I had heard before. The Jazz Faculty ensemble was a reminder of music styles like Art Tatum, deception Coltrane, and Duke Ellington. When they played Hamster in a bucket it’s reminded me of â€Å"In a Mellotone” by Duke Ellinton. Then Dave Ballou played the trumpet in the song â€Å"Cry indulge” like Miles Davis played the trumpet in the song â€Å"So What”.\r\nIn conclusion, the quality of both performances was outstanding. severally performance was completely different and that’s what I loved. The jazz residency program was completely improvised, divergence me opened and surprised at every note each player chose to play. The Jazz Faculty Ensemble’s songs had a distinctive vibe. They made the sounds of their music come together and I felt the rhythm. I would defiantly pay to see each performance again. I left the concerts smiling, because I felt as if I knew exactly what they were trying to accomplish with their music. The two ensembles I attended featured some of the most talented musicians I ever heard performing at Towson University.\r\n'